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Consigning a watch to Christie's: the same premium as Sotheby's, to the decimal

The two largest houses have converged exactly: Christie's charges the same three rates at the same thresholds as Sotheby's. Unlike Phillips, Christie's publishes no separate watch schedule — a watch is charged the same as a painting. The seller's side is not published at all.

Schedules read 2026-09-24. Platforms change their fees without much notice — check against your own invoice before you rely on a figure.

What it charges a seller

A fully published buyer's premium with no watch carve-out, and a seller's side Christie's does not publish at all

Buyer's premium — first tier (New York)Paid by the buyer, not by you. It still shapes your result, because it sits between what a bidder is willing to spend and what the lot can hammer at.28% of the hammer price up to and including $2,000,000
Buyer's premium — second tier22% from $2,000,001 up to and including $8,000,000
Buyer's premium — third tierThe same three rates apply in London (£1,500,000 / £6,000,000), Geneva (CHF 1,600,000 / CHF 7,000,000), Hong Kong (HK$15,000,000 / HK$60,000,000), Paris (€1,750,000 / €7,000,000), Shanghai and Dubai at their own thresholds.15% from $8,000,001
Watch-specific rateThe schedule covers all collecting categories except wine and Gooding Christie's. A watch is charged exactly what a painting is charged. Phillips is the one house on this site that publishes a lower rate for watches.None
Seller's commissionChristie's publishes the buyer's premium in full and no consignor rate at all. Terms live in the private agreement you sign.Not published
Wine, for contrastOnly relevant here to show that Christie's does vary its schedule by category when it chooses to — it simply has not chosen to for watches.25% flat, with no threshold
Listing fee
None published. Christie's offers a complimentary and confidential valuation request through its specialists.
Minimum fee
No minimum consignment value is published.

Getting paid, and what's required of you

Payout timing
Not published. The buyer's premium schedule, which is the rate card Christie's makes public, carries no settlement timetable, and the seller-side material published alongside it is a set of liability terms rather than a payment schedule. Sotheby's, by contrast, publishes 45 days.
Account
Consignment runs through a specialist department, as at any auction house. Christie's publishes a free valuation request as the entry point rather than a self-serve seller account.
Authentication
Not established by the sources read for this page.Not addressed in the sources read for this page. Auction houses catalogue and research lots through specialist departments rather than running a published pass-or-fail authentication programme, which is a different thing from the marketplace model.
What it covers
Governed by the Conditions of Sale for the relevant saleroom — Christie's publishes separate sets for Dubai, Geneva, Hong Kong, London, Los Angeles, New York, Paris and Shanghai, plus separate online and wine conditions. None was read for this page.

What it's good at

  • Watches at the level where two global houses bidding for the consignment gives you leverage on terms that are negotiated rather than published.
  • Consignors who want the widest possible international bidder pool across eight salerooms rather than the deepest specialist watch audience.
  • Anyone comparing houses on the buyer's side, since Christie's and Sotheby's now publish an identical schedule and the difference between them has to be found elsewhere.

What to watch out for

  • There is no watch discount. Phillips publishes 27% / 21% / 14.5% for watch auctions specifically; Christie's charges a watch the same 28% it charges everything else.
  • The premium tells you half the economics at most. With no published seller's commission, the only way to know your side is to get it in writing before you sign.
  • No settlement window is published, so when you actually get paid is a term to negotiate rather than a number to look up.
  • Rates are quoted excluding local sales taxes, and Christie's notes local taxes may be payable on the premium itself.
  • The schedule changed effective 1 September 2026. Check the date on the live page before relying on any figure here.

Christie's publishes its buyer's premium to the decimal and its seller's commission not at all. That is the normal auction-house shape, and this site already covers two others — but the Christie's schedule is worth reading next to them, because of what it reveals about where the market has settled.

The rates

Effective 1 September 2026, in New York:

  • 28% of the hammer price up to and including $2,000,000
  • 22% from $2,000,001 up to and including $8,000,000
  • 15% from $8,000,001

London, Geneva, Hong Kong, Paris, Shanghai and Dubai run the same three rates at their own local thresholds. All figures are quoted excluding local sales taxes, and Christie's notes that local taxes may be payable on the premium itself.

The two big houses now charge exactly the same

Put the schedules side by side and the comparison is not close — it is identical:

  • Christie's, New York — 28% to $2,000,000, then 22% to $8,000,000, then 15%
  • Sotheby's, New York — 28% to $2,000,000, then 22% to $8,000,000, then 15%

Same three rates, same two thresholds, same currency. Whatever is left to choose between the two houses for a watch consignment, it is not the buyer's premium.

That matters practically: if you are weighing Christie's against Sotheby's, the published numbers give you nothing, and the decision has to be made on the specialist department, the sale calendar, the audience for your particular reference — and on the seller's terms neither house publishes.

And neither of them discounts watches

Phillips does. Its watch auctions run at 27% / 21% / 14.5%, against its own general schedule of 29% / 22% / 15%, with the first threshold at $1,000,000 rather than $2,000,000.

Christie's has no such carve-out. Its schedule explicitly covers all collecting categories except wine and Gooding Christie's — so a wristwatch is charged what a Rothko is charged. The house clearly will vary a schedule by category when it wants to; wine sits at a flat 25% with no threshold at all. It simply has not done so for watches.

Why a buyer's premium concerns a seller at all

You do not pay it. The buyer does. It still shapes your outcome, because it sits between the bidder's budget and your hammer price: a bidder working to a total of $25,000 is bidding to roughly $19,500 at 28%, not to $25,000. Every point of premium is a point of bidder budget not available to you.

That is the whole reason a lower premium is worth something to a consignor — indirectly, not as a discount on anything you are charged.

What Christie's does not publish

The seller's commission. Nothing. Sotheby's at least states a standard rate in its glossary while saying terms are agreed case-by-case; Christie's publishes no consignor figure on the pages read here.

When you get paid. The buyer's premium page carries no settlement timetable, and the seller-side material published beside it is a set of liability terms dated April 2019 rather than a payment schedule. Sotheby's publishes 45 days. Christie's leaves it to the agreement.

Both of those are negotiable precisely because they are unpublished. Get them in writing before you consign, and treat the absence of a number as an invitation rather than an obstacle.

Sources

Not affiliated with any platform named here. Fees and policies are read from each platform's own published pages on the date shown and can change at any time; your own account terms govern.